We have learnt a lot about the equipment and the programs throughout the progression to our full product. We have compared our preliminary task to our teen-angst to show improvement in different areas.
Camera Shots
For our preliminary task that Joe, Rachael and I completed at the beginning of this topic, we used a school video camera with no tripod. This meant that all the shots were handheld and shaky so the quality of the image was very low. For our teen-angst opening we made sure to use a tripod for all the tracking shots and stills, only the low angle shots and over the shoulder shots were handheld. As well as ensuring the footage would be stable, we made sure to use a higher quality camera. Rachael brought in her DSLR camera so that we could manually change the white balance and focal points. This has improved the quality of our overall film as it looks more professional. To make our preliminary task, we had a booklet with a set storyboard of camera angles we should use. The camera angles in our task were: match on action, tracking, P.O.V, shot reverse shot, long shots, close ups and two shots. From this task we learnt and understood the 180 degree rule and why it is used.
In mine and Rachael's teen-angst we used a bigger range of camera angles to make each scene more interesting and help the tension build within dramatic scenes. Some of the camera angles we used were: establishing shots, high angle shots, low angle shots, over the shoulder shots, two shots, tracking and following shots. We also used long shots, mid shots and close-up as well as extreme close ups. We decided not to use shot reverse shot camera work in the first dialogue scene as we thought this would make the scene too jumpy as we already have a lot of jump cuts before it.
Later on in the sequence a canted angle is used when we see Brittany with someone else.
This suggests something is not right. It also suggests she has now become the antagonist.
Camera Movements
We used certain camera movements in our preliminary task such as tracking movements to follow the character that walks into the room and sits down (Rachael). This is so that we did not use just another still shot.For our teen-angst we used a wide range of camera movement, such as: pan, zoom and tracking.
Panoramic camera movements were used when we watch Jinx walk down a path towards the camera. This is so the camera was still and the audience could take in her surroundings. We used a zoom movement at the end of the opening to move from a mid close up of Jinx's face to an extreme close up. This increased the drama within this scene.
Framing
For our first task, we didn't plan anything for it, the setting was our classroom and we didn't move anything in or out of shot. For our feature film, we planned each scene very carefully with a storyboard and a step outline. One of the key scenes, where framing was important was: when Brittany walks down the red stairs and puts her shoes on next to a red plant. We were very careful to choose the colour red as this connotes danger and foreshadows that something bad is going to happen.
During the 'getting ready' scene, we made sure that Brittany's table is covered in make up and make up brushes. This is so that the scene looks natural and real.
For Jinx's dress choosing clip, we had dresses laying in the background to suggest that she has tried on other dresses as well before choosing the white dress over the black. Jinx choosing the white dress over the black is significant as white connotes innocence and naivety.
The framing within our sequence will have a subtle impact on our audience. This is good as we want the change from upbeat and happy to dramatic and serious to be smooth.
Mise-en-Scene
Mise-en-Scene is the biggest progression that has been made since our preliminary task. This is because in our first task we didn't choose any costumes, change any lighting, move settings or use any props. Therefore, 'Gossip!' shows a massive improvement as we controlled and planned all of the above to suit each scene we shot.
For example the lighting at the beginning is bright, the bright light continues up until the characters are walking outside. This change in lighting connotes that the mood has become serious and sombre.
We used four different settings with in our teen-angst opening: school grounds, Brittany's house, Jinx's house and the estate they live in. This creates excitement as the use of different locations keeps the audience interested and intrigued.
Editing
Within iMovie, for our teen-angst we used cross cutting editing for the phone conversations and during the getting ready scenes. This means that we edited the footage so that it jumps between two different locations. We mainly used jump cuts within our product as it helped keep the film quick. IN some places we used the jump cut transition to make a clip more interesting, so instead of having a 8 second clip, we cut it into three so that it was quick and jumpy. This makes the clip more interesting and shorter. The other main transition we used was fade to black. We used this to fade in the beginning of the sequence and when Jinx shuts the door later on. Transitions were used to compliment the jump cuts as this is slow and smooth. Other than using the editing software to adjust the white balance, we used it to add the effect of a spilt screen twice within our product. The titles were well planned and thought out to make sure they linked to the teen-angst genre.

The preliminary task was much less complicated as we only used jump cuts when editing on premier pro. This helped all the footage link together and create the final outcome. The final outcome for our task was simple as there was no titles or different transitions.


































